Gone Beyond
The calligraphy of this reads: “The Way of Tea.” This stroke, rolling into a loose enso, was painted in one breath, leaving natural rips in the ink, and strokes of the brush. It represents the space beyond the mind, beyond concepts—the place where the best tea comes from and leads into. This was painted with stoneground ink, mixed with aged sheng puerh and painted on handmade rice paper. It is mounted on black silk with wooden rolls.
The calligraphy of this reads: “The Way of Tea.” This stroke, rolling into a loose enso, was painted in one breath, leaving natural rips in the ink, and strokes of the brush. It represents the space beyond the mind, beyond concepts—the place where the best tea comes from and leads into. This was painted with stoneground ink, mixed with aged sheng puerh and painted on handmade rice paper. It is mounted on black silk with wooden rolls.
The calligraphy of this reads: “The Way of Tea.” This stroke, rolling into a loose enso, was painted in one breath, leaving natural rips in the ink, and strokes of the brush. It represents the space beyond the mind, beyond concepts—the place where the best tea comes from and leads into. This was painted with stoneground ink, mixed with aged sheng puerh and painted on handmade rice paper. It is mounted on black silk with wooden rolls.